MARCIA GRIFFITHS: REGGAE QUEEN? :: Essays Papers

MARCIA GRIFFITHS REGGAE QUEEN? descent YEARS These two quotes are critical in answering the enquiry of whether or not Marcia Griffiths is the real Reggae Queen. After looking at her victor as a feminine artist, the answer to this question becomes obvious. Women have been oppressed across the globe for centuries, which make Griffiths success as a female Reggae artist that much more outstanding. Looking at her achievements throughout her bearing starting at a young age to thirty-s level(p) long time in the music business, the audience will understand why she is the true Reggae Queen. Linneth Marcia Griffiths was born and raised in Kingston. Music had always been apart of her education from her beats influence as a singer. Her talent was accepted very early by producers Clement Coxsone Dodd and Byron Lee, who were said to be competing for her fathers signature on a recording contract even before she was ten. Coxsone won the compitition and his legendary S tudio One and its downbeat rhythms became her musical college. (Tafari, pg. 1) Marcia reached the vainglorious stage for the firstborn time at the Carib Theater in continue Roads, Kingston at the age of twelve. At the age of sixteen she achieved her first Jamaican 1 with the Rock Steady hit Feel wish well Jumping. After that, she opened shows in Jamaica for Carla Thomas, Betty Wright and Ben E. King among others. Since those vintage days, music has been her manner and she has risen to the top of Rock Steady and Reggae Charts in Jamaica. While growth up she listened to and admired singers like Aretha Franklin, Carla Thomas and Deon Warkick. There were not legion(predicate) female artists in Jamaica, but one that she admired was the late Hortense Ellis who was a local singer. At a young age Marcia established a name for herself before teaming up with Rita Marley and Judy Mowatt. Over the years Marcia has built up a long list of solo hits, but the re-make by Marcia and wharf Andy of the Nina Simone hit Young, Gifted and Black in the 1970s put her into a household name throughout the Caribbean and Europe. (Tafari, pg. 2) The records popularity rose the charts in the UK and soon became popular across Europe.