Stanleys Control in A Streetcar Named Desire Essay -- Control A Stree

Stanleys Control in A Streetcar Named DesireRemember what Huey Long said Every Man is a King - develop how Stanley had his control, how he has had his kingship challenged and how he is trying to re-establish his control.Remember what Huey Long said Every Man is a KingExplain how Stanley had his control, how he has had his kingshipchallenged and how he is trying to re-establish his control.In the opening of A Street Car Named Desire by Tennessee Williams,we are presented with a stereotypical presentation of a husband andwife. However, during the duration of the play, we see how Stanleychanges from universe in control, to loosing his control and usingdesperate measures to regain a higher status.In Scene 1 the impression the audience gets about Stanley is that heis in control over his wife. The first time the audience sees him, hebellows at Stella and Stella mildly talks back to him, showingStanleys higher status. Stanley in like manner hurls a meaty package atStella, showing his m asculine power that he possesses. Stella, incontrast, is the one that waits for Stanley. The first time we seeStella and Stanley together, Stanley has gone to come Stella ratherthan the other way round. This gives the audience the impression thatStella is almost a stay at home wife to Stanley. When Blanche andStanley first meet, it is easy to see that Stanley feels as if he hascontrol. He starts to remove his shirt in front of Blanche when hehas first met her, indicating his confidence and his high statusattitude. A small indication that Stanleys kingship is being challenged isshow in the start of Scene 2. In Scene 2, Stella takes Blanche out toa show and supper, while Stanley has ... ... then chooses Stanley, leaving Blanche to be takenaway by a Doctor to a mental hospital.In the beginning of the play it is clear to see how Stanley has higherstatus than Stella, shown through a combination of stage directionsand speech. Stanley realises that his status has been lost fairlyearly o n in the play, and firstly believes that he must show hismasculine power by hitting Stella. This is obviously the way he hassolved any previous issues to do with his masculinity, as Stella saysabout how Stanleys always smashed things. Stanley realises how thisusual reply wont work this time, so he puts his efforts intodriving Blanche away. He succeeds in doing this, but it shows theaudience a terrible side to Stanley. His last fulfil to regainmasculinity is an awful act with risky consequences, as Stella couldhave easily turned against him.