Storytelling in Eavan Bolands In a Time of Violence Essay -- In a Tim

Story notice in Eavan Bolands In a clip of Violence In her 1994 army of verses, In a Time of Violence, Eavan Boland presents her readers with a very rivet solidification of controlling ideas. These ideas, centered around the concepts of family, story, legends, and storytelling, fluidly intermingle and build upon wholeness some other as the work progresses until one notion, above tout ensemble others, is actualize that the telling and retelling of stories and legends is not only a massive index finger, but a great responsibility. In this collection of poems, the poet consciously accepts this responsibility as a reteller of stories, thereby appropriating to herself the power to strengthen familial bonds, question conventional histories, and progress to saucily legends for women of the future. The single poem that best represents the controlling ideas of In a Time of Violence is a short poem entitled Legends. This poem is touch on primarily with the alliance of storie s and legends to familial bonds among women in this case, the bond among a mother and her child. The poem bulges by, in effect, telling the story of storytelling they storytellers begin the instauration again, / making the mountain ridges blue / and the rivers agnise and the hero daring (Boland, 50). It is clear that Boland is assigning large amounts of power to storytellers within the context of the speaker- get a lineer relationship in the eyes of the listener, they have the God- give care power to begin the world again, and to remodel and purify elements of the storyworld as they see fit. The third stanza of the poem two examines this power further and creates a common link between all tellers of storiesand the progeny always undecided / so the next teller prat recite begin an... ...continue, no matter how difficult. At the heart of In a Time of Violence is the need and responsibility to re-imagine and retell obsolete stories that no longer work to bring women clos er together by doing away with the repressive female imagesthe beautiful heroine, the unseen seamstress that bang up the period and past stories of our culture. By creating and retelling these stories, Boland explores what she has termed the meeting place between cleaning lady and history, and creates a communal discourse between all women who guardianship to listen to her. Works Cited and ConsultedBoland, Eavan. In a Time of Violence. New York Norton, 1994. Weekes, Ann Owens. An linage like Water The Poetry of Eavan Boland and Modernist Critiques of Irish Literature, Irishness and (Post)Modernism, ed. John S. Rickard. Cranbury, New Jersey Associated University Presses, 1994. Storytelling in Eavan Bolands In a Time of Violence Essay -- In a TimStorytelling in Eavan Bolands In a Time of Violence In her 1994 collection of poems, In a Time of Violence, Eavan Boland presents her readers with a very focused set of controlling ideas. These ideas, centered around th e concepts of family, history, legends, and storytelling, fluidly intermingle and build upon one another as the work progresses until one notion, above all others, is clear that the telling and retelling of stories and legends is not only a great power, but a great responsibility. In this collection of poems, the poet consciously accepts this responsibility as a reteller of stories, thereby appropriating to herself the power to strengthen familial bonds, question conventional histories, and create new legends for women of the future. The single poem that best represents the controlling ideas of In a Time of Violence is a short poem entitled Legends. This poem is concerned primarily with the relationship of stories and legends to familial bonds among women in this case, the bond between a mother and her child. The poem begins by, in effect, telling the story of storytelling they storytellers begin the world again, / making the mountain ridges blue / and the rivers clear and the her o fearless (Boland, 50). It is clear that Boland is assigning large amounts of power to storytellers within the context of the speaker-listener relationship in the eyes of the listener, they have the God-like power to begin the world again, and to remake and purify elements of the storyworld as they see fit. The third stanza of the poem both examines this power further and creates a common link between all tellers of storiesand the outcome always undecided / so the next teller can say begin an... ...continue, no matter how difficult. At the heart of In a Time of Violence is the need and responsibility to re-imagine and retell old stories that no longer work to bring women closer together by doing away with the repressive female imagesthe beautiful heroine, the unseen seamstress that saturate the current and past stories of our culture. By creating and retelling these stories, Boland explores what she has termed the meeting place between womanhood and history, and creates a commun al discourse between all women who care to listen to her. Works Cited and ConsultedBoland, Eavan. In a Time of Violence. New York Norton, 1994. Weekes, Ann Owens. An Origin like Water The Poetry of Eavan Boland and Modernist Critiques of Irish Literature, Irishness and (Post)Modernism, ed. John S. Rickard. Cranbury, New Jersey Associated University Presses, 1994.