Non-conformity in The Sailor Who Fell From Grace With the Sea, Medea, a

Non-conformity in The Sailor Who flee From Grace With the Sea, Medea, and The quaint We atomic number 18 constantly being alter our surroundings. As a result, our attitudes and personalities are a product of our experiences and the various environments in which they occurred . Furthermore, the society we live in presents to us a set of standards, values, and givens that we may or may not agree with. In literature, the society plays a major role in affecting the characters thoughts and actions. In The Sailor who Fell From Grace with the Sea, The Stranger, and Medea, the characters are affected by their society, and their actions reflect their conformity (or non-conformity) to it. Ultimately, non-conformity in these works create the conflicts that bear the plots interesting. In Yukio Mishimas The Sailor Who Fell From Grace With the Sea , the characters are presented with the comparatively modern society of post World War 2 Japan. Since the war, as Japan underwent their second in dustrial revolution, it became more permeable to western culture(since it was a major contender of inter farmingal business). Since Japan has always been a nation that stressed the importance of preserving its culture(imposing isolationism at one point), these changes did not go knock down so smoothly. Mishima expresses this discomfort by depicting two characters with opposite lawsuit of non-conformity. One being Fusako a non-conformist in a traditional perspective, and the separate Noboru, a non-conformist in a contemporary perspective. In Albert Camus The Stranger, society totally affects the main character, Meursault, after he comes to a mid-story crisis. For all practical purposes, Meursault was vivacious in a French society of the 30s, whereas Al... ...rent does not conform. The authors relations to us on the characters places in society help us to relate to and labour their actions. If Meursault hadnt been so detached from society, Noboru so discontented with society, and Medea so vengeful toward society, we wouldnt feel half of the justification needed to understand the murders that took place in the works. stipulation the presented material about conformity, I conclude that the stories plots indeed grow just about the unique attributes of the non-conformers, and as result, spark the readers imagination to the fullest. Works Cited Euripedes Medea, Greece 431 BC Camus, Albert (Translated by Matthew Ward) The Stranger , New York, Vintage International, 1988 Mishima, Yukio. (Translated by John Nathan) The Sailor Who Fell from Grace with the Sea, New York, Vintage International, 1993.